Because the biblical story unfolds in real places among real people, archaeology helps us understand the world in which God's saving work took place and, in turn, enriches our reading of Scripture.
The Reformers did not return to the sources because they believed the old was better than the new, nor because antiquity possesses authority simply by virtue of its age. They returned to the sources to recover the language and words that were actually written and spoken, especially those by great teachers and, most importantly, God Himself.
The certainty of faith is utter assurance because it depends upon nothing of your own. It is entirely trusting that God is a propitious, pardoning God—the God who justifies sinners by forgiving them.

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They were still praying, trusting, and hoping. Why? Because they knew who was with them and who was for them: the risen Christ.
The Church needs mystics again. Not fringe figures, but saints ablaze with love.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.
The Fourth in the fire is Jesus.
Do it again, God,” rings the psalmist’s appeal.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
Sometimes the old story is the one we need to hear again and again.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
This is the first installment in our Lenten series, Through the Tombs of the Kings, where Steve Kruschel explores God’s faithfulness to Judah’s kings—and to us—through life, death, and the burial of his Son.
In grace, God chooses to love his people.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.