Wade Johnston, Life Under the Cross: A Biography of the Reformer Matthias Flacius Illyricus, Concordia Publishing House, St. Louis: MO, 2025.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.

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We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
Christ is the beating heart of Christian faith and its only object.
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
What do we learn from the widow? We learn how to be dependent upon God.
This article is part of Stephen Paulson’s series on the Psalms.
No matter how many times we hear this good news, it never stops being good news.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
Salvation doesn’t hang in the balance of a voting booth.
The difference between God's gospel and man's could not be greater.