When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.

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Your prayers are not what make you acceptable in his sight. You have already been made acceptable through the blood of Christ.
There is no justification except by faith alone. The radical forgiveness itself puts the old to death and calls forth the new.
“Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language.”
The Gospels function like literary essays, composed with a specific thesis and purpose in mind. Each account of Jesus’s life acts as a treatise to show us something about the person and work of the Savior.
In Christ Jesus, through faith, we’ve received everything we need for our bodies and lives, and life eternal.
These words not only rescue and defend; they also attack.
I rededicated my life as many times as I could when the guilt was unbearable. I would read my Bible more and pray more, yet I still struggled. I knew deep down, I was breaking God’s heart with my failure at being his child.
Jesus’ miracle in this sermon, then, is a type of the compassion He has for your hearers. While they certainly have many physical needs, your hearers also (more fundamentally) need Jesus’ mercy and forgiveness.
He is our gold. He is our pure garment. He is our healing. He is our sanity. He is our wholeness.
There is no comfort in naked sovereignty. A bully may be said to be “sovereign” over the elementary school playground, but that doesn’t bring much comfort nor does it promise security. We need something more than a God who is in control.
It is one thing to pray against death’s slow and aggressive assault on God’s creation. It is another to trust in the one who has conquered the grave.
It is that love, finally, which comes back again and again, not as an afterthought, but as the underlying theme of the entire section.