Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.
Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.

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It is one thing to pray against death’s slow and aggressive assault on God’s creation. It is another to trust in the one who has conquered the grave.
God created humanity in his image and then inhabited that image. Not just for 33 years, but for eternity thereafter.
It is that love, finally, which comes back again and again, not as an afterthought, but as the underlying theme of the entire section.
A change during a time of crisis is nothing new; it's an experience we can see throughout history.
In the quiet of your own uptown, where your own sins bear down on you and create a troubled conscience before the world, before others, and before God, your Lord reaches across the chasm of brokenness to take your hand.
Lack of effort isn’t the sworn enemy of fruit-bearing. Self-sufficiency is.
The good news of Jesus Christ guides us into godly worship, not self-worship.
“Who Am I?” edited by Scott Ashmon (1517 Publishing, 2020) is now available for purchase.
By basing our assurance on the promises of God, which we not only hope for in the future but live in now, the Christian can finally rest in the comfort that they are both saved and not responsible for their own salvation.
There is often no way forward for us without the prophetic lament, because such laments force out our honesty and resentment at the God who does not treat us as we expect to be treated.
If you do not know who your God is, you will not know what your idols are.
We have seen a vision better than an angel. We have seen God on the cross. A God who is willing to suffer for us.