We live in the “already” but “not yet”. Peace is already ours but not yet. The resurrection is already ours but not yet. Justice is already ours but not yet. Until then be comforted by the fact that you are reconciled in Christ on account of his life, death, and resurrection.
Luther neither removed the Apocrypha from the Bible nor discouraged its use. Rather, he received and preserved the ancient distinction inherited from the fathers: the Apocrypha is valuable, edifying, and worthy of reading, but it is not Holy Scripture and therefore cannot serve as the foundation of Christian doctrine.
The confessors at Augsburg remind us that every generation of Christians is called to bear witness to the gospel amid the challenges and pressures of its own age. As they confessed Christ before emperors and kingdoms, so the Church continues to confess Him before the world today.

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Why should we believe Jesus?
This is the first installment in our Lenten series, Through the Tombs of the Kings, where Steve Kruschel explores God’s faithfulness to Judah’s kings—and to us—through life, death, and the burial of his Son.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.
Huff did not stop there, though. Towards the end of the interview, he asked Rogan, "What do you think of Jesus?"
The narrative of the Nativity is what Christmas is all about.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
The Lord’s provision doesn’t rest on the strength of our gratitude.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 12-14.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.