This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Was Jesus ambitious or unambitious? We have to say that the answer is…yes.

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We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Why should we believe Jesus?
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
We are called to believe in the church even when we don’t believe in the church.
Luther’s final thoughts were not meant to bum you out or lead you to despair.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.