The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.

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Sometimes the old story is the one we need to hear again and again.
Lent isn't simply a season. It's the Christian life in microcosm.
Jesus satisfies, fills, and saves because he is the Son of God, who, with the Father and the Holy Spirit, lives and reigns forever.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel gives us faith, hope, and love, all of which proceed from Christ’s death and resurrection.
As you step into the days ahead, remember this: no matter how lost you may feel, you have a God who seeks you out, celebrates your return, and rejoices over you.
The grain of God’s goodness and grace is made known by many trees throughout the Bible.