Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Merry Christmas, Christ has spoken, and his verdict stands.
The unity of God’s people is grounded not in lineage nor land but in the promise of the coming Christ.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
Caesar gets your taxes. Christ gets your heart.
While Thoreau’s Walden is seen as a central text of that most American of virtues—self-reliance—quiet ambition as envisioned by Tinetti is exactly the opposite: dependence on God.
Every age has its emergencies, and the church must never ignore them. Yet, our response cannot be one of panic or propaganda.
On this, the birthday of Martin Luther, I will pause to thank God for his birth.
Something Reformation Christians ought to do is familiarize themselves with Roman Catholic theology.
The testimony of the Word assures us that God isn’t waiting for us at the top of the stairs, with arms folded and brows furrowed.