While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.
The “further up and further in” we go, the table keeps getting bigger, the guest list keeps getting longer, and the grace keeps on flowing.
Christianity does not locate freedom in radical autonomy. It does not tell either men or women that happiness consists in escaping obligations arising from relationships we did not entirely choose.

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Our value and our values, our life, our everything is from Jesus Christ given to us as a gift.
There is only one antidote to the venom of sin and death: the Savior who becomes the serpent so that every snake-bitten-sinner might live.
God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
To “trust in God in trial” means we fight our battles by kneeling and praying to “the Holy One of Israel,” who works out our deliverance by himself.
We bring nothing with us that contributes to the preaching or the hearing of God’s promise to us.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Vilification of the other is married to the justification of the self.