Jesus offers something infinitely better. He tells us to put down our gavel—not because sin isn't real, but because the only Judge who has the right to condemn is the very One who was condemned for us.
From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.

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Recently I’ve met many people that have suffered tragedies in their families. I know this sounds a little selfish, but the ones that stick out the most to me are the ones that affected my own family.
True freedom, Luther discovered, is found in Jesus crucified who sets us free.
Over and over, generation after generation, sinners repeat the same mistake. "How is it possible that God can be a man," we ask.
Fairy tales are but one chapter in the book we call storytelling. We may prefer reading other kinds of stories (mystery, science fiction, and so on).
Not long ago I was having a conversation with a friend. She was facing a big decision about her career with a deadline looming for a decision.
For those of you unfamiliar with the Richter scale, our friends over at Wikipedia define it as a 1930s invention that "is a base-10 logarithmic scale, which defines magnitude as the logarithm of the ratio of the amplitude of the seismic waves to an arbitrary, minor amplitude."
I love books. I love authors. I love the way putting words down on paper incarnates ideas that might otherwise remain ghosts of the mind, flitting here and there in our gray matter.
Before long I was deeply involved in the trilogy (the reader is invariably "drawn into" the story in a unique way, and for a good reason as we shall see).
We are continuing our summer series on a theology of worship through the lens of language. Before moving forward, let me highlight a few points by way of review.
The time constrained authoring of the Augustana caused great angst, for the part of Melanchthon that was never satisfied with his own literary output.
Like any language, the liturgy has syntax—a structure that provides order and intelligibly communicates meaning through all that is said.
As the story unfolds we see Luther’s Heidelberg theses on display, even before the Fellowship leaves Rivendell.