We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.
Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.

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New normals are always sneaking up on us. Preachers ignore them to their peril and the peril of our hearers.
The power of God's Word is nothing like human power. People exercise power through force and violence. God's Word manifests His power through humility, service, and self-sacrifice.
There is no comfort in naked sovereignty. A bully may be said to be “sovereign” over the elementary school playground, but that doesn’t bring much comfort nor does it promise security. We need something more than a God who is in control.
Apart from God's word, we will judge the right to be wrong and evil people as good.
In the quiet of your own uptown, where your own sins bear down on you and create a troubled conscience before the world, before others, and before God, your Lord reaches across the chasm of brokenness to take your hand.
“Who Am I?” edited by Scott Ashmon (1517 Publishing, 2020) is now available for purchase.
There is often no way forward for us without the prophetic lament, because such laments force out our honesty and resentment at the God who does not treat us as we expect to be treated.
God not only unites us to himself by the death and resurrection of his Son; he unites us, the church, together and to himself under Christ as his children.
That is the good news that ifies all hand wringing and wipes away every tear from every eye.
Love is to be the interpreter of law. Where there is no love, these things are meaningless, and law begins to do harm.
The gospel of Jesus Christ is also a declaration. It is a declaration of something that has already happened, “that Christ died for our sins in accordance with the Scriptures, that he was buried, that he was raised on the third day."
The following is an excerpt from Adam Fransisco’s chapter in “Who Am I?” edited by Scott Ashmon (1517 Publishing, 2020).