Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.
While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.
The “further up and further in” we go, the table keeps getting bigger, the guest list keeps getting longer, and the grace keeps on flowing.

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Grace remits sin, and peace quiets the conscience. Sin and conscience torment us, but Christ has overcome these fiends now and forever.
The imprecatory psalms are like release valves for hurting souls. Their stanzas are God-given spaces in which we can bear our soul’s torment.
Men and women are all caught in the universal machine of suffering that chews people up and spits them out. And in their respective griefs and fears, they are all wondering if God sees them, hears them, knows them.
At its heart, this is what Deacon King Kong is all about: the paradox of Jesus carving his victory out of the last thing we expect, not our triumphs but our defeats.
Our only claim to fame is that we have been claimed by a God who is consistently drawn to losers!
Christ is present in the pure preaching of the gospel. And if Christ is present, then we have entered into the domain of the sacraments.
Christians do have a hope that those who sleep in death will be awakened and their joy will never end, and we yearn for that day.
The church’s song goes on and on, singing and ringing down to us today.
Christ has received the mark of law that we might be marked with the gospel, with the sign of his holy cross on our heads and hearts as redeemed children of God.
Moses was sent to keep the house in order, but this Child is sent to bring the house home, and you are part of that house, the household of God.
He also took our own history and suffered all the agony and pain of our own lives.
The thought of losing even one of those for whom his Son died pains God beyond belief, and the angels rejoice when even one of his children repents.