Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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There is a revival, no less real and even more definitive, taking place in every church, every weekend, where God’s people gather around his gifts.
Zephaniah has given us something more visceral to help us understand the love of God: the sound of salvation.
We too are God’s baptized, beloved, blood-bought believers. And no one can ever take that away from us.
Hidden beneath the sinner is a glorious saint. Jesus has declared it to be so in your baptism.
Even as he was dying, the heart of God poured itself out for the sake of sinners.
Authentic proclamation, then, is the love of Christ for our souls, which we have seen and experienced through the under-shepherd’s pastoral care put into the words of Christ Himself.
I think the problem with the idea of eternity is that we do not have any direct experience of it, but we encounter enough of its possibility to be unsettling.
The sign of the cross, according to the earliest centuries of Christians, is “the sign of the Lord,” and every baptized Christian was “marked” with it.
The sermon takes place in the context of a multi-facetted set of relationships experienced through the weeks and months of being together in congregation and community. Those relationships shape the credibility of the preacher in the pulpit. 
The usual acclamation when one becomes King is: “Long live the King!” But this King of kings, this son of David, has come to die.
The word which justifies by bringing faith in baptism is the same powerful word that recreates, regenerates, and re-births a human being in baptism.
Toy Story is indeed a Christmas story.