The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.

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His provision always flows downward, furnishing and filling us with his grace and truth right where we are.
This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Christmas is not only about a cradle in Bethlehem, it’s also about a cross outside Jerusalem where salvation was won for us.
Merry Christmas, Christ has spoken, and his verdict stands.
Christmas is not for remembering, thinking, pondering, trying to make sure you are really celebrating it properly, or for wondering whether you truly have faith.
Lewis once pointed out that Christianity does not begin by telling us how to behave, but by telling us what is wrong.
To know the cure is not to become immune to sorrow.
Seek moments of silence, and use them to listen and ponder.
It is death that deserves derision, not the disciple who reaches through sorrow for his Lord.