God can handle grief, rage, and cries for justice. God can handle the victim who cannot yet forgive. God can handle the prayer that comes out jagged and wounded. The good news is that God is holy and merciful enough to handle all our prayers.
But while scholars are right to focus on the bond between Martin and Hans, the evidence of Martin’s own words suggests their relationship may not have been as troubled as some suppose. For Hans Luther was not a cartoon villain but a normal human being attempting to make his way in the world and raise his children to the best of his ability.
Jesus offers something infinitely better. He tells us to put down our gavel—not because sin isn't real, but because the only Judge who has the right to condemn is the very One who was condemned for us.

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When faith seeks understanding—when belief is grounded in revelation and open to the light of reason—truth can travel.
This is the fourth installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
Fideistic Christianity may look bold, but it is fragile.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
The reason Christians argue so much about the sacraments is because, deep down, they matter.
Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.
The baptized do not celebrate sin—they grieve it.
If Jesus rose from the dead, then his claims about himself and his promises to humanity warrant serious attention and response.
It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
To be happy is to be the object of God’s love in Christ and to love God and others with the love of Christ.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.