Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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History won’t judge us, Jesus will. We already have his judgment. He gave it to us from the cross, where he acquitted us with his death.
To be barred from the Temple was like being ostracized from society as a whole. It was a powerful card to hold, and the Sadducees were not shy about using it.
On every page, in every theme, in every major character and every major plot twist, we are invited to see God’s unfolding work to make all things new and whole in Jesus.
You need an apocalyptic ‘decoder ring’ to figure out what is going on in Revelation.
The gospel of Jesus’ coming out of death and the tomb alive so that we might be restored to our identity as God’s children establishes the most enduring reality there is.
God has found a way to be God even for the likes of us. He has found a way to save sinners.
Obviously, the LORD has no intention of slapping a bandage on creation. He will completely restore—it will be made new.
Jesus died for the people who put Him to death. Jesus rose for the people whose minds rejected the idea of a resurrection.
The sacrifice of Jesus stands completed, once for all, and we believe in the resurrection of the dead and the life of the world to come.
Jerusalem, temple, and king, all three bespoke of Yahweh’s kingship, as well as of His Kingdom and presence on earth and all the blessings bound up with it.
On Good Friday, poetic justice is satisfied. Poetic mercy is all which remains.
On this Maundy Thursday, in particular, let the “for you” of Christ’s gifts dominate.