When you step into the Lord’s house, he gives you a liturgical imagination to see with eyes of faith all of his goodness and grace.
The thief is the prophetic picture of all of us, staring hopelessly hopeful at the Son of God, begging to hear the same words.
The Solas are not just doctrinal statements. They are the grammar of Christian comfort.

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It’s a miracle anyone believes the Gospel. It goes against everything else we believe in.
One of the interesting things about Paul’s writings that is not noticed enough is that Paul doesn’t really have an “application” section.
A promise was made to my older brother roughly 50 years ago. He was just an infant and had no idea that this promise was being set upon him.
Why was Jesus crucified? Not to save victims, but to save sinners.
The authority God gives to men—to you and I as baptized believers in Christ—is to forgive sins, to free them from guilt, to free them from the power of sin.
I am not one of those people who can put together a jigsaw puzzle without using the picture on the box.
The time constrained authoring of the Augustana caused great angst, for the part of Melanchthon that was never satisfied with his own literary output.
The dying words of Jesus were not, “Make it worth it,” but “It is finished.”
What we see in the face of this God is not a loathing expression. We find the face of a compassionate man who knew all about shame himself.
No, when the Lord is ready for battle, of all creatures, he commissions Mary’s little lamb.
Like any language, the liturgy has syntax—a structure that provides order and intelligibly communicates meaning through all that is said.
A crisis of faith always occurs when we begin to believe that God has betrayed us.