This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Was Jesus ambitious or unambitious? We have to say that the answer is…yes.

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Walking in the light doesn't entail a spotless moral record but rather an honest appraisal of who we are.
If you are going to lose your life for the gospel’s sake, you must begin by hearing it.
Our value and our values, our life, our everything is from Jesus Christ given to us as a gift.
God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
God’s goodness spoke a promise of peace and mercy to the bewildered, a promise that rings out to this day.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Vilification of the other is married to the justification of the self.