Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.

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My words are peanuts compared to the porterhouse of God’s Word.
Only by faith in Christ are we truly awake.
Increasingly, to forgive is seen as winking at evil, as shrugging one’s moral shoulders, and as being complicit.
A group of unassuming apostles was given a graphic illustration of how the Lord would use them to turn the world right-side-up through the upside-down logic of grace.
Being the baptized just may be the last, great resistance.
The legal record of debt for our sin was canceled because Jesus satisfied the legal demands for us by his life, death, and resurrection.
If you are going to lose your life for the gospel’s sake, you must begin by hearing it.
Our value and our values, our life, our everything is from Jesus Christ given to us as a gift.
There is only one antidote to the venom of sin and death: the Savior who becomes the serpent so that every snake-bitten-sinner might live.
God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.