Understanding Iran therefore requires more than studying military capabilities or diplomatic strategy. It requires taking theology seriously. Christians understand this because the gospel shapes lives, cultures, and civilizations. Our calling is not merely to analyze those competing stories but, more importantly, to proclaim the true King whose kingdom comes not through revolution or coercion, but through His death and resurrection.
For those Christians who feel the tug to read great literature, know that it is not a waste of your time. These books will only deepen your appreciation for the Scriptures and will open your eyes to a fuller, more profound vision of reality and the God who loves you.
We are invited to entrust everything to the one who accomplished what we could not: living and bleeding and dying and rising again, so that “whoever believes in him should not perish but have eternal life” (John 3:16). To put it another way, when it comes to the kingdom of God, there’s no room for DIY’ers. Best leave it to the professionals.

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The love of God is creative, always giving, always reviving.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Christ is the beating heart of Christian faith and its only object.
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
What do we learn from the widow? We learn how to be dependent upon God.
This article is part of Stephen Paulson’s series on the Psalms.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 12-14.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.