Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.
Because the biblical story unfolds in real places among real people, archaeology helps us understand the world in which God's saving work took place and, in turn, enriches our reading of Scripture.
The Reformers did not return to the sources because they believed the old was better than the new, nor because antiquity possesses authority simply by virtue of its age. They returned to the sources to recover the language and words that were actually written and spoken, especially those by great teachers and, most importantly, God Himself.

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It is impossible to live our lives in a way that would convince God of our value because he already knows our value. He is the one who gave it to us.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
This is the first article in a special three-part Advent series on how Jesus is our prophet, priest, and king.
The Lord did for Hannah what he loves to do: he shifted everything into reverse, making the bottom the top and the top the bottom.
The crucified and risen Christ comes to renew, restore, and build up.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Christ is the beating heart of Christian faith and its only object.
Christ is always the ultimate for God's children, but we sometimes struggle with things that come before.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.