Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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The life we are trying to manage, improve, and secure is not something to be mastered. It is something to be surrendered. And this is where everything changes. Because in Christ, the approval we are seeking has already been spoken.
No one is harder to convert than a religious expert.
Do not disregard Luther’s early disputations, but appreciate their specificity and recognize their pastoral and theological continuity with his later works.
May we, as preachers, rise and proclaim that Jesus Christ is sufficient for all our spiritual hunger.
Pride builds identities that leave no room for grace.
We believe in a Savior who raises the dead: this is why the church is the one place on earth that can speak plainly about abortion without collapsing into despair.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
Merry Christmas, Christ has spoken, and his verdict stands.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Illness is not romantic. It is not a test, a metaphor, nor a blessing in disguise.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.