The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.

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The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
The Lord himself comes to us to lead us out of the land of sin and death with his strong, nail-pierced hands.
The Passover wasn’t just Israel’s story; it’s ours.
His provision always flows downward, furnishing and filling us with his grace and truth right where we are.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Christmas is not only about a cradle in Bethlehem, it’s also about a cross outside Jerusalem where salvation was won for us.
Every sinner can trace their salvation back to this moment when the Savior was born in accordance with the Word of God so that all of God’s words would be realized.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
It is by his perfect surrender that our true Exodus was accomplished.
The testimony of the Word assures us that God isn’t waiting for us at the top of the stairs, with arms folded and brows furrowed.
The Protestant milieu was pervaded with the announcement that God and God alone is the active agent in the salvation of sinners.
We can lay down our sledgehammers of moralistic performance, which aren’t effective anyway, and we can trust that we are his and his life is ours.