In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Jesus tells the story of a man traveling from Jerusalem to Jericho who falls into the hands of robbers. The text reads, “They stripped him of his clothes, beat him and went away, leaving him half dead.”
The task—the joyful task!—of the interpreter is to go around the house, trying various keys in various doors, until they are all opened. This is one way to picture our reading of the Bible.
“No one who puts his hand to the plow and looks back is fit for the kingdom of God.” These are the words of Jesus to a man who promised to follow him after saying good-bye to his family in Luke 9:62. Tough stuff.
Generally, we call that path the lectionary. I’m a big fan of the lectionaries in general. They do several things.
Every child builds. Some build castles out of wooden blocks handed down from an older sibling. Some construct forts out of blankets, chairs, and miscellaneous living room artifacts.
God wired us to be storytellers. God made man in his own image and that image includes a rational mind that communicates in large part through stories.
Barth's ideas resulted in a movement known as neo-orthodoxy, sometimes called dialectical theology, theology of crisis, or simply Barthianism.
Imagine a world in which it is always winter but never Christmas. Imagine a place where Deep Magic from the dawn of time requires the blood of the innocent be shed to save the guilty.
But there’s more to this movie than excellent Lego graphics and artistic; in other words, imaginative storytelling.
In Sunday morning Bible study, our class is reading 1st Peter. This week was chapter 3 and I’ve always had a challenge with the imagery there. I’m talking about the way Peter brings Noah into the picture and connects it to Christian suffering.
What do imagination, Lego bricks, and Sub-Creation have to do with apologetics?