Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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Hymns were a means by which people were brought into direct contact with the Gospel that brought justifying faith. Set to music, they could readily memorize it, take it home with them, and rehearse its messages around the hearth and at work.
“There,” the Queen said, “That’s so much better than talking, isn’t it?”
Only by faith in Christ are we truly awake.
Cranach became the evangelical interpreter for the masses
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Whatever body part you are, the body of Christ is no pod person. Together, we’re a living, breathing, deathless whole.
Neomonasticism—that is, the idea that church work is more important than regular work—implies that God cares more about the spiritual than the physical.
Christian mercy should not seek its own. It must be round, and open its eyes and look at all alike, friend and foe, as our heavenly Father does.
The world hates Jesus because he comes to lead us to love and forgive all, including our enemies.