Calling oneself a “Bible-believing Christian” fails to account for the fact that every belief system, knowingly or unknowingly, arises out of a particular history.
From the very beginning, the community that God was forming was going to be much more inclusive than anyone could have imagined.
There are important historical reasons for making a distinction between ministry and vocation.

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Jesus loved us and gave himself up to save us. He would not abandon you to your hurt or cast you away because of the hurt you caused others.
Jesus has instituted his living-breathing disciples, his shepherds in his church, to declare the full forgiveness of sins.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
It is Jesus himself who is the ladder by which sinners get to God, not by them climbing up but by God climbing down.
In Christ, this world’s never-children are his always-children, because he isn’t a God of death, after all.
Success is emphatically not your primary identity.
God does not give us an undebatable answer to suffering. Instead, God suffers, too.
We know we are made for something great. We humans were created in God’s image and restored through Christ in his perfect image.
We can do nothing to warrant entry into the kingdom of God nor are we getting in if we think a seat at God’s table is something to which we are entitled.
The gospel is for sinners – both the tax collector and Pharisee, both in need of the Great Physician.
The profound significance of Christ’s resurrection comes from the threefold justification it provides: it justifies the sinner, the sinner’s hope, and God himself.