The Supper doesn’t depend on the faithfulness of the Church. It depends on the faithfulness of Christ.
A rightly-oriented heart and a rightly-oriented love will consistently do what is best for God and best for our neighbor, which is why St. Augustine speaks of sin as a disordered love.
For Bonhoeffer, Christ crucified, and the cross of the Christian life were not of peripheral importance, but foundational.

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Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
We are called to believe in the church even when we don’t believe in the church.
The cross traced in ashes isn’t a badge of honor or a mark of our works. It’s a reminder of Christ’s work.
Repentance is not limited to a season.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
Christians don’t need a bucket list. We’ve got the whole bucket: the Word fulfilled, life fulfilled, and life in full.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?