Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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The details vary, of course, but we too struggle to repair the heart broken by the tragic death of someone we love. We're dazed, angry, speechless.
The reason is much simpler than that: to learn to pray, you must first die. The language of prayer is taught in the school of death.
But this dying world is still the world of our living God, who graces us with tokens of a final renewal. As leaf subsides to leaf, and frost to snow, and snow to ice, there comes a day when the gold of nature sprouts anew.
The place where God appears or dwells ceases to be common ground; it becomes holy. Dust, rocks, vegetation, wood, metals, everything roundabout soaks in his sacredness.
In accordance with their views of what a church is, or what a church ought to be, they planned and executed each of these sanctuaries. In other words, theology designed architecture, and architecture signaled theology.
For out of the mouths of these opposition forces, gathered on enemy turf, comes the defiant declaration of death’s undoing: “Christ is risen! He is risen, indeed!” An audacious act it is, to march smack dab into the middle of a place that screams, “Dead!” and to sing, “Alive!”
On that day the mourners were shocked to discover that behind the veneer of her bright smile lurked a fathomless darkness, whose depths she made manifest only when she despaired of life in this world.
Though the theophanic elements at the Jerusalem Pentecost were not as diverse as those at Sinai, there is one prominent commonality between the two: divine speech out of divine fire.
This is the night when the earth is formless and void; and the darkness of blood is over the face of Thy Son. And the Spirit of God moves out of His body as He gives up the Ghost.