Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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Fairy tales are but one chapter in the book we call storytelling. We may prefer reading other kinds of stories (mystery, science fiction, and so on).
We see someone driving a fancy car, owning a big home, having healthy children and an attractive spouse. Instantly, almost without a second's thought, we assume they are successful. Life is good for them.
No, that is not a typo. I am telling you to put your trust in this Old Testament prophet. I want you to look at him and be assured of God’s love for you.
Before long I was deeply involved in the trilogy (the reader is invariably "drawn into" the story in a unique way, and for a good reason as we shall see).
One thing is for certain: my day was heaven compared to his. My minor headaches nothing compared to whatever he was going through.
The most powerless person in this story is the key to it all. God uses her who is nothing to effect everything.
Attacked by sin, robbed by Satan, lacerated by death—there we lay, unable to help ourselves. Yet He helps us who can never help ourselves.
It’s a miracle anyone believes the Gospel. It goes against everything else we believe in.
No, when the Lord is ready for battle, of all creatures, he commissions Mary’s little lamb.
As the story unfolds we see Luther’s Heidelberg theses on display, even before the Fellowship leaves Rivendell.
Faith does not require that we always Hoorah what the Lord does. God wants children, not brown-nosers.
Should we consider the tomb of Jesus completely empty, or just somewhat empty?