The Christ who rescues does not wait for you to be clean. He comes to clean you. He does not need your strength. He brings his own.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.

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The kingdom of Christ consists in finding all our praise and boast in grace. Other works should be free, not to be urged, nor should we wish by them to become Christians, but condescend with them to our neighbor.
In our transactional view of our faith - “If I don’t… then God won’t.” “I need to, so God can” - we are seriously underestimating who we are dealing with.
Jesus knows you and everybody else come from a long line of life wasters going all the way back to Adam. Jesus died for life wasters! Let go of your bootstraps. Stand back up. Your Father loves you.
Salvation is not simply transactional; it is fundamentally relational. Not anemic, but full-blooded. Not disembodied, but bodied.
Good works do not give us a righteousness that exceeds that of the scribes and Pharisees. Rather, good works result from righteousness given by the good work of the Righteous One on the cross.
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
Epiphany celebrates that we have not been left in our hearts’ cold darkness and this spoiled creation.
This year, I’m more excited for Epiphany than I am for Christmas.
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.