In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Jesus is very difficult to bring down. That’s the power of it.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
Huff did not stop there, though. Towards the end of the interview, he asked Rogan, "What do you think of Jesus?"
We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
The grain of God’s goodness and grace is made known by many trees throughout the Bible.
Ambrose's preaching continues to ring out in churches around the world, especially during Advent when we sing his magnificent, proclamatory hymn, "Savior of the Nations, Come."
The love of God is creative, always giving, always reviving.
Christ is the beating heart of Christian faith and its only object.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.