The word of assurance given to Moses at Sinai echoes through eternity on the lips of the Savior, untroubling troubled souls with the good news that there is one who walks the paths of life with you, and soon he’s coming to bring you to himself.
The greatest obstacle to friendship in middle age isn't that nobody wants friends. It's that everyone is waiting for someone else to go first. But here's the good news: Christ has already gone first for you. And because He has, you are free to go first for someone else.
The church's answer to Islam remains what it has always been: Christ crucified and risen for sinners.

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They were still praying, trusting, and hoping. Why? Because they knew who was with them and who was for them: the risen Christ.
The Church needs mystics again. Not fringe figures, but saints ablaze with love.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.
Christ does not hide his wounds. He offers them.
This is a fine addition to Jon Guerra's growing discography, and I look forward to hearing what new songs his continued contemplations will produce.
The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
Sometimes the old story is the one we need to hear again and again.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?