The Reformers did not return to the sources because they believed the old was better than the new, nor because antiquity possesses authority simply by virtue of its age. They returned to the sources to recover the language and words that were actually written and spoken, especially those by great teachers and, most importantly, God Himself.
The certainty of faith is utter assurance because it depends upon nothing of your own. It is entirely trusting that God is a propitious, pardoning God—the God who justifies sinners by forgiving them.
Sinners get faith as a gift when Christ takes their captivity captive.

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Today I would like to share The Legend of the Dogwood, inspired by the words of Stoney Cooper.
What we discover in O’Connor’s stories and Martin Luther’s theology is that God’s grace is elusive because the human heart is resistant to it.
Reading includes, on some level, striving. Hearing, on the other hand, remains passive.
The further up and further into the season of Epiphany we get, the bigger the grace of God in Christ is, the brighter the Light of Christ shines, and the more blessed we are in Jesus' epiphany for us.
In the Reformation, as in the tabernacle, God gave skill, artistry, and craftsmanship to put his Word in images so that through art, his Word would be revealed.
Hymns were a means by which people were brought into direct contact with the Gospel that brought justifying faith. Set to music, they could readily memorize it, take it home with them, and rehearse its messages around the hearth and at work.
“There,” the Queen said, “That’s so much better than talking, isn’t it?”
Only by faith in Christ are we truly awake.
Cranach became the evangelical interpreter for the masses
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
The world hates Jesus because he comes to lead us to love and forgive all, including our enemies.