Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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What we confess concerning a corpse confesses much about how deep, or how shallow, is our understanding of the importance of the incarnation of Jesus, his death, and his (as well as our own) resurrection.
A cemetery is a hard place to confess because the cemetery itself seems to confess, “You, O mortal, have lost.”
But this dying world is still the world of our living God, who graces us with tokens of a final renewal. As leaf subsides to leaf, and frost to snow, and snow to ice, there comes a day when the gold of nature sprouts anew.
Yes, He knows all—not only the sins you remember and are ashamed of, but also those you have forgotten and even those you never knew you committed.
For out of the mouths of these opposition forces, gathered on enemy turf, comes the defiant declaration of death’s undoing: “Christ is risen! He is risen, indeed!” An audacious act it is, to march smack dab into the middle of a place that screams, “Dead!” and to sing, “Alive!”
This is the night when the earth is formless and void; and the darkness of blood is over the face of Thy Son. And the Spirit of God moves out of His body as He gives up the Ghost.
When Jesus was baptized, his Father’s voice fell from heaven, proclaiming, “You are my beloved Son, whom I love; with you I am well pleased,” (Mk 1:11). But there in the wilderness it did not seem so, did it?
The Bible of Jesus and the apostles was therefore the Old Testament. On the basis of these writings, they confessed the totality of who the Messiah is and what He does.