Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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God must kill me. He’s got to slay me, put me six feet under, and shovel dirt atop my corpse. Then, it’s like, “Hey, I finally understand! You’re God and I’m not.
Why, given all the things we wish God had told us, but didn’t, does he “waste our time” by stating the patently obvious? Was there, in Moses’ day, an outbreak of violence against the disabled?
A cemetery is a hard place to confess because the cemetery itself seems to confess, “You, O mortal, have lost.”
The details vary, of course, but we too struggle to repair the heart broken by the tragic death of someone we love. We're dazed, angry, speechless.
The reason is much simpler than that: to learn to pray, you must first die. The language of prayer is taught in the school of death.
But this dying world is still the world of our living God, who graces us with tokens of a final renewal. As leaf subsides to leaf, and frost to snow, and snow to ice, there comes a day when the gold of nature sprouts anew.
For out of the mouths of these opposition forces, gathered on enemy turf, comes the defiant declaration of death’s undoing: “Christ is risen! He is risen, indeed!” An audacious act it is, to march smack dab into the middle of a place that screams, “Dead!” and to sing, “Alive!”
This is the night when the earth is formless and void; and the darkness of blood is over the face of Thy Son. And the Spirit of God moves out of His body as He gives up the Ghost.