One great thing about our post-denominational age is that it has opened up opportunities to make common cause with other Lutherans who, despite their differences and eccentricities, can agree on some of the most important things.
Pride builds identities that leave no room for grace.
We can willingly admit the fact that we're just like tax collectors and thieves.

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This is the sixth installment in our special series on Luther’s Heidelberg Disputation. Translation of Theses 11 and 12 by Caleb Keith.
Last week we talked about what happens when the Triune God shows up, and how we practice this every week in Sunday worship with the Trinitarian invocation, “In the name of the Father, and of the Son, and of the Holy Spirit. Amen.”
When I hear the word “repentance” my mind quickly goes to those old terror inducing Chick Tracts.
This is the fifth installment in our special series on Luther’s Heidelberg Disputation. Translation of Theses 9 and 10 by Caleb Keith.
This is the fourth installment in our special series on Luther’s Heidelberg Disputation. Translation of Theses 5 and 6 by Caleb Keith.
As a bass player, when I listen to music, I listen for what the bassist is doing. But, when I listen to music in my 2004 Honda Civic I have a problem: only one of the four speakers works.
This is the third installment in our special series on Luther’s Heidelberg Disputation. Translation of Theses 5 and 6 by Caleb Keith.
This is a weekly article series working through the book of Revelation.
The Confessions instead look forward and provide a critique of the world and of all my various religions and idolatries.
Too often, we equate “repent” as the final warning to stop a particular sin before God ceases to love you and sends you to hell for your evil deeds.
The foundation of the Christian’s life is that our life is not our own. We don’t belong to ourselves. God has purchased us with the currency of Jesus’s blood.
This is the second installment in our special series on Luther’s, Heidelberg Disputation. Translation of Theses 3 and 4 done by Caleb Keith.