There is indeed a responsibility for the church to share the gospel in the world, but never at the expense of the church’s charity and mercy for those neighbors who are nearby.
The only hope for idol-addicted sinners who are utterly incapable of decluttering their souls is Jesus, the one at the heart of the gospel, and the only one who stands before the Father with an undivided heart.
More than a friend, Amsdorf was also an important figure in the work of religious reform, providing counsel to Luther on key occasions, shepherding the churches, and defending the faith until his death.

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The Church's hymns help us see our own world from another—and perhaps not so different—vantage point that illuminates the impact of the work of Christ and the general providing and protecting activity of our Creator in our lives.
This is an excerpt from “Crucifying Religion” written by Donavon Riley (1517 Publishing, 2019).
The gospel fires up within us the gratitude, joy, and love to pull off what the law never could get us to do.
This is an excerpt from “God’s Devil” written by John Warwick Montgomery (1517 Publishing, 2020).
Cyprian actually rejected the accusation that he believed in rebaptism because he considered only the baptism within the church to be a valid or true baptism.
In both Psalms, we hear the Messiah becoming sin for us, and thus he pleads on our behalf before the Father
This is an excerpt from “With My Own Eyes” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2017).
This is an excerpt from the book, “Paul and the Resurrection” written by Joshua Pagán (1517 Publishing, 2020).
Physicality is good. Some way or another, choose a full performance of Messiah and give it your full attention. More than one time. Consider it a devotional practice.
This is an excerpt adapted from “Let the Bird Fly” written by Wade Johnston (1517 Publishing, 2019).
Saying the words of the prayer together meant that if my voice became too weak or shaky, other voices would be around to support and continue the message.
Dürer's first significant work to be published was a woodcut which served as the title page for a volume of St. Jerome’s Letters in August of 1492.