The world takes notice when Christians forgive because such forgiveness seems impossible.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
God leads us to green pastures. He comforts us with his grace in our darkest valleys.

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Jesus has instituted his living-breathing disciples, his shepherds in his church, to declare the full forgiveness of sins.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
This is a companion article to “Johann Spangenberg on Dying Well”
Success is emphatically not your primary identity.
We know we are made for something great. We humans were created in God’s image and restored through Christ in his perfect image.
The gospel is for sinners – both the tax collector and Pharisee, both in need of the Great Physician.
The profound significance of Christ’s resurrection comes from the threefold justification it provides: it justifies the sinner, the sinner’s hope, and God himself.
Some part of us always wants our ability under the law to be just as important (or more) than grace.
The notion that your goodness is “good enough” to make you right with God is a lie straight from the father of lies himself.
Bathed in the waters of baptism, you are placed in God's path of totality, a path he won for each and every one of us.
Paul knew that, without the resurrection, the Christian life was a “Smells Like Teen Spirit” video.