Thanksgiving, then, is not just about plenty. It is about redemption.
Why is it truly meet right and salutary that we should at all times and all places give thanks to God.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.

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This is a fine addition to Jon Guerra's growing discography, and I look forward to hearing what new songs his continued contemplations will produce.
The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
Sometimes the old story is the one we need to hear again and again.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.
Peace is ours, even when what seems like the end draws near, because we know who Christ is and we know what Christ has done, and we know that who he is and what he’s done is all for us.
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel gives us faith, hope, and love, all of which proceed from Christ’s death and resurrection.