The certainty of faith is utter assurance because it depends upon nothing of your own. It is entirely trusting that God is a propitious, pardoning God—the God who justifies sinners by forgiving them.
When standing in line, or when the commercial comes on, or when a moment of boredom comes, fast and pray instead of reaching for the screen. Be reminded that the world is not an oyster to be shucked, but a place where the gifts of redemption are already open.

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Christianity is not a solo endeavor. Not a private relationship between Jesus and me.
What is your fight club? Who is your Tyler Durden?
Recently I’ve met many people that have suffered tragedies in their families. I know this sounds a little selfish, but the ones that stick out the most to me are the ones that affected my own family.
Over and over, generation after generation, sinners repeat the same mistake. "How is it possible that God can be a man," we ask.
For those of you unfamiliar with the Richter scale, our friends over at Wikipedia define it as a 1930s invention that "is a base-10 logarithmic scale, which defines magnitude as the logarithm of the ratio of the amplitude of the seismic waves to an arbitrary, minor amplitude."
We are continuing our summer series on a theology of worship through the lens of language. Before moving forward, let me highlight a few points by way of review.
The time constrained authoring of the Augustana caused great angst, for the part of Melanchthon that was never satisfied with his own literary output.
Like any language, the liturgy has syntax—a structure that provides order and intelligibly communicates meaning through all that is said.
All other subjects—even Biblical subjects—were subservient to an accurate view of the Person and work of Jesus Christ for sinners.
What every heresy does, in one way or another, is ungods God, unchristens Christ, uncrucifies the Crucified. It strikes through the good of Good News.
(This article first appeared in Modern Reformation and is posted here with permission.)
It is Tolkien's adept ability at combining imagination with Sub-Creation to give his fictional world of Middle-Earth that ‘inner consistency of reality’ which points to the truth of the Gospel.