Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.

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When we despair of ourselves, we repent of these self-justifying schemes and allow ourselves to be shaped by God, covered in Christ’s righteousness, and reborn with a new heart.
People everywhere, every day, feel God’s wrath—and not as merely an afterlife threat but as a present reality.
Ultimately, Scripture does not confront fear with commands. It confronts fear with a promise.
The Scriptures consistently speak about sanctification as a sure gift for the Christian.
What do such callings look like? They are ordinary and everyday.
This is an excerpt from the introduction of Stretched: A Study for Lent and the Entire Christian Life by Christopher Richmann (1517 Publishing, 2026).
Bringing your family to church to receive “the one thing needful” (Luke 10:42) in Word and Sacrament honors and pleases God.
There’s a difference between refusing revenge and refusing responsibility.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The story of your life stretches beyond the dash on the tombstone.
Below is a list of our favorite theological books - across all categories - from 2025. A special thanks to our contributors who submitted titles, wrote summaries and full reviews for these books and more throughout the year.
While Thoreau’s Walden is seen as a central text of that most American of virtues—self-reliance—quiet ambition as envisioned by Tinetti is exactly the opposite: dependence on God.