Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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Walking in the light doesn't entail a spotless moral record but rather an honest appraisal of who we are.
If you are going to lose your life for the gospel’s sake, you must begin by hearing it.
There is only one antidote to the venom of sin and death: the Savior who becomes the serpent so that every snake-bitten-sinner might live.
God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
To “trust in God in trial” means we fight our battles by kneeling and praying to “the Holy One of Israel,” who works out our deliverance by himself.
We bring nothing with us that contributes to the preaching or the hearing of God’s promise to us.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
Our challenge today is to inspire trust and curiosity so this generation will openly ask the question, who speaks the words of truth?
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.