Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.
Because the biblical story unfolds in real places among real people, archaeology helps us understand the world in which God's saving work took place and, in turn, enriches our reading of Scripture.
The Reformers did not return to the sources because they believed the old was better than the new, nor because antiquity possesses authority simply by virtue of its age. They returned to the sources to recover the language and words that were actually written and spoken, especially those by great teachers and, most importantly, God Himself.

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God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Vilification of the other is married to the justification of the self.
The spirit indeed is willing and desires bodily death as a gentle sleep. It does not consider it to be death; it knows no such thing as death.
With Christ as the pioneer and perfecter of our faith, the future is secure already. It’s solid right now, even when the cords seem to be fraying.
God is in control, but God is also in relationship with His children and asks us to pray, to lament, and to ask Him to change His mind as we participate as the Bride with our Bridegroom.
History is the painful realization that we aren’t the ones who can save the world but, rather, we’re the ones who get saved.