Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Vilification of the other is married to the justification of the self.
The spirit indeed is willing and desires bodily death as a gentle sleep. It does not consider it to be death; it knows no such thing as death.
With Christ as the pioneer and perfecter of our faith, the future is secure already. It’s solid right now, even when the cords seem to be fraying.
History is the painful realization that we aren’t the ones who can save the world but, rather, we’re the ones who get saved.
Christian mercy should not seek its own. It must be round, and open its eyes and look at all alike, friend and foe, as our heavenly Father does.
The undercurrent of Scripture is the sheer fact that Jehovah God is a God of his word.
The worship service is less like servants entering the throne room to wait on the king’s needs and more like a father joining his family around the dining room table.
Because of Jesus, God always hears our prayers, and he always responds to them in love–regardless of the quality or quantity of the one speaking them.