In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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We trust God's Word because Jesus never fails us. He is our daily comfort when struggles and afflictions find us.
The Gospels function like literary essays, composed with a specific thesis and purpose in mind. Each account of Jesus’s life acts as a treatise to show us something about the person and work of the Savior.
Jesus’ miracle in this sermon, then, is a type of the compassion He has for your hearers. While they certainly have many physical needs, your hearers also (more fundamentally) need Jesus’ mercy and forgiveness.
The lifeblood of Christ is the treasury that defines personal worth – your worth, my worth. Preach that; the price tag on your soul.
This food, already purchased and freely given in our pericope, is a foretaste of the feast to come as well; the marriage feast of the Lamb in His Kingdom which has no end.
The power of God's Word is nothing like human power. People exercise power through force and violence. God's Word manifests His power through humility, service, and self-sacrifice.
Apart from God's word, we will judge the right to be wrong and evil people as good.
The well-known Sunday School story of Shadrach, Meshach, and Abednego is far from a simple account of three brave and faithful Israelites. It’s a mini-story with a mega-story tucked inside it—a story that links it (backward) to Exodus and (forward) to the Gospels.
It is one thing to pray against death’s slow and aggressive assault on God’s creation. It is another to trust in the one who has conquered the grave.
To dwell with a Holy God in their camp, Israel lead holy lives. Anything standing in the way of and threatening this holy relationship must be avoided or eliminated.
It is that love, finally, which comes back again and again, not as an afterthought, but as the underlying theme of the entire section.
These parables invite us to consider the mysterious way of the reign of God. The Kingdom of God comes by grace to those who are seeking and not seeking it.