In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Christ’s death is sufficient for all, even Christians.
Jesus doesn’t talk about God’s love for us; he embodies it.
The simul makes several affirmations and rejections on the doctrines of sin/original sin, justification, and sanctification, to name a few.
We confuse our success and failures with God’s judgment of us.
Mere confrontation in the form of, “What you’re doing is wrong—you need to change yourself,” can never solve the root of our problem.
I don't remember a time not knowing I was a sinner. Seriously, I've always understood that Christ died for me.
As I weigh briefly here the advantages and disadvantages of preaching original sin and preaching actual sin, I don’t mean to argue for one and against the other. Instead, I mean to suggest a benefit in focusing a given sermon on one or the other, and that neither type of sermon should be the only type a Christian hears.
Here, we read the mystery and majesty of the incarnation of the Son of God wrapped up into a single package
The following is a Question and Answer session with author and pastor Donavon Riley where we talk about his latest book, “Crucifying Religion: How Jesus is the End of Religion”.
It’s no wonder we’re so attached to images; we are one. We are human hyphens between the celestial and the terrestrial.
Death can make us feel like tourists or strangers traveling across the landscape of someone else’s life.
The following is an excerpt adapted from, “Human Rights and Human Dignity,” written by John Warwick Montgomery (1517 Publishing, 2016).