Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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“Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language.”
The Gospels function like literary essays, composed with a specific thesis and purpose in mind. Each account of Jesus’s life acts as a treatise to show us something about the person and work of the Savior.
In Christ Jesus, through faith, we’ve received everything we need for our bodies and lives, and life eternal.
These words not only rescue and defend; they also attack.
I rededicated my life as many times as I could when the guilt was unbearable. I would read my Bible more and pray more, yet I still struggled. I knew deep down, I was breaking God’s heart with my failure at being his child.
Jesus’ miracle in this sermon, then, is a type of the compassion He has for your hearers. While they certainly have many physical needs, your hearers also (more fundamentally) need Jesus’ mercy and forgiveness.
He is our gold. He is our pure garment. He is our healing. He is our sanity. He is our wholeness.
There is no comfort in naked sovereignty. A bully may be said to be “sovereign” over the elementary school playground, but that doesn’t bring much comfort nor does it promise security. We need something more than a God who is in control.
It is one thing to pray against death’s slow and aggressive assault on God’s creation. It is another to trust in the one who has conquered the grave.
It is that love, finally, which comes back again and again, not as an afterthought, but as the underlying theme of the entire section.
These parables invite us to consider the mysterious way of the reign of God. The Kingdom of God comes by grace to those who are seeking and not seeking it.
A change during a time of crisis is nothing new; it's an experience we can see throughout history.