Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Sometimes the old story is the one we need to hear again and again.
We are called to believe in the church even when we don’t believe in the church.
This is the first installment in our Lenten series, Through the Tombs of the Kings, where Steve Kruschel explores God’s faithfulness to Judah’s kings—and to us—through life, death, and the burial of his Son.
Repentance is not limited to a season.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?