Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.
While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.

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Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?