Yahweh who is pierced and mourned in prophecy is Jesus who is pierced and mourned in fulfillment.
There is indeed a responsibility for the church to share the gospel in the world, but never at the expense of the church’s charity and mercy for those neighbors who are nearby.
The only hope for idol-addicted sinners who are utterly incapable of decluttering their souls is Jesus, the one at the heart of the gospel, and the only one who stands before the Father with an undivided heart.

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Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Sometimes the old story is the one we need to hear again and again.
We are called to believe in the church even when we don’t believe in the church.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.